4/20/06 08:12 pm
trust me, my soul is in there.
4/20/06 08:00 pm
when i allow myself to feel even a little love, to be precariously sensitive and gentle, i tend to walk slowly and elegantly, with the careful gait of a ballerina and a little semiconscious smile.
and in turn, everything else i encounter in life becomes unbearably grating and loud, harsh and profane. my feeble optimism is tested, and against the wind of ill-change, i lose my concentration, i hurt, i fume. i try so hard.
& then i get rebuffed, she loves me not.
the little seed of hope i earnestly nourished gets trampled.
i catch myself: it's happening again, i want to give, i want to be quiet, i want to be nice, i want things to be ok.
4/20/06 07:48 pm - just us.
date with deanna saturday evening; overnight picnic in the cemetery with liquor and drugs and maybe kisses and maybe more. i've never done this before, not really. so strange and so natural.
4/20/06 06:07 pm
i found true love on show as a prized relic at the 'late antiquity' exhibit of a local museum.
it looks real pretty, but don't dare touch.
what's it good for? that's the question.
4/20/06 05:17 pm
rimbaud wrote that art of universal value could only be produced by what he called "a long, immense and rational derangement of all the senses" facilitated, mainly, in his case, by smoking hashish.
in a similar spirit, with a divergent method, i cultivate the absentminded art of self-abandonment; a transpersonal headspace from where i can write indifferently: without ego, persona, self-censure, or concern for the outcome.
my nervous system is the limit of my experiencing-structure, therefore, presumably, by disengaging from reality, by reducing thought to an absolute minimum, i can study myself (and by extension, the known universe) directly and objectively.
since we live life through our bodies, it follows that if there is a nonintuitive 'meaning of life' the truth would, literally, be found within us.
the truth has always been the same: ever unfashionable, ever scorned, unimaginably simple and sensately ascertainable: whatever is outside of your skin is not you.
the 'world' as you know it, civilization, is a fraud. a conspirational morass of noise and touch with the express intention of making you hurt yourself; stub your emotions, castrate your intellect, smash your moral compass, all for the sake of maintaining a nebulous idea of reputation, uphold some vestigial notion of status. as what--as what? to find out what you are, ask yourself who you matter to.
there is one way to be yourself, to transcend all this mimicry and posturing.
the first step is realizing there is no world.
the second step is realizing there is no you.
i'm not your missionary.
little is more absurd than the conviction that words have the power to mean.
i exorcised my house.
now i can't go back.
everynight i dream of walking out on myself, and out of everything i have come to know.
i'd take you with me
4/20/06 04:15 pm
i've got the senior-citizen malaise.
solo bed, cuddling in bad form
the world is out-of-touch,
and i keep my respectful distance, i mask feelings
like bagging groceries; gibbering little notes i write myself off with, those telegrams from the other side of sanity: this journal is full of them. they're insignia particular to a host of unfamiliars. when you give the mind nothing to do, it runs up the wall. (there's no special meaning to prophetic dreams.)
my given mood of the night can be divined in the sum of enigmatic impertinences i utter whilist drunk; i'm always a little far off, a little spacey, half-asleep. i forsook my psychospiritual moorings long ago, now i'm floating somewhere else, don't dare bring me down. the falling sickness, they call it; i'm prone to fits of cataplexy, extreme emotional stimulus shuts me down cold. if you caress me, i shudder; if you kiss me, i blanch. if you love me, i panic.
love me.